December 1, ... Kenny Werner, Phil Woods, Clark Terry, Al Jarreau, Michel LeGrand, Nicholas Payton, Brian Blade, as well as Ray Brown, Sonny Fortune, Randy Brecker, Renee Rosnes, Johnny Mathis, Russell Malone, Joey DeFrancesco, and Dee Dee … This is a nice Dexter Gordon tenor sax transcription over Blue Bossa by Kenny Dorham. Minor changes going into a nice ii V7 I. I mark guide tones only when they are played on big beats, one and three. You also need to have JavaScript enabled in your browser. Nick does such a wonderful job of picking an idea and developing it. Nicholas Payton - The Backwards Step - trumpet Listen Nick Bisesi Groove Project - Uptown Strut - tenor (Goin' Home) Please note that some of these transcriptions were completed over 10 years ago, so the quality of the notation and layout varies - although they are all as accurate as possible. Nicholas Payton recently posted his thoughts about comping on the drums over on his Instagram account. Transcription of Kelly Jefferson’s Solo on Confirmation. This jazz trumpet solo transcription by Clifford Brown is absolutely great. I mark Guide Tones (3rds and 7ths) on every big beat (1 & 3). My wife (girlfriend at the time) got it for me, and the first track that stuck out was this one. Super cool that he checked it out, we’re grateful that he’s cool with us posting his work. If not, I'll be happy to transcribe it for you. CAT = Chromatic Approach Tone “Guide Tone Movement” is when the soloist resolves one guide tone to another. Minor changes going into a nice ii V7 I. Espresso Jazz Diy » Walkin’ Miles way…. “rant”) has caused the point of the second paragraph to become somewhat misconstrued. In the analysis I marked the first Bb and drew a line to show where it finally resolves. There are a lot of ii V7 I licks to grab from this transcription that sound so natural. And after hearing Nicholas’ playing on this track I knew I had to one day transcribe it. When the Saints Come Marching In is the 2nd song on Nicholas Payton's 2nd release with Verve Release called "Gumbo Nouveau" Such a soulful solo and has so many tasty lines in it! Elegy For Williams Burroughs and Alan Ginsberg, Eric Clapton - Eric Clapton (1970) full album transcription (, The Doobie Brothers - The Captain and Me (1973) full album transcription (, Michael Blake - Calypso Minor full arrangement and sax solo, from Elevated (2000) -, Bill Chase - Open Up Wide trumpet solo, from Chase (1971) -, Miles Davis - It's Only A Paper Moon trumpet solo, from Dig (1951) -, Miles Davis - Straight, No Chaser trumpet solo, from Milestones (1958) -, Dave Douglas - Blue Heaven trumpet solo, from Soul On Soul (2000) -, Jon Faddis - Here's That Rainy Day trumpet solo, from Dizzy's Dream Band (1982) -, Freddie Hubbard - I Don't Wanna Lose You trumpet solo, from Bundle Of Joy (1977) -, Freddie Hubbard - The Things We Did Last Summer trumpet solo, from The Hub Of Hubbard (1970) -, Hugh Masekela - Grazing In The Grass trumpet solo, from The Promise Of A Future (1968) -, Lee Morgan - Since I Fell For You trumpet solo, from Candy (1957) -, Lee Morgan - All The Way trumpet solo, from Candy (1957) -, Nicholas Payton - A Touch Of Silver trumpet solo, from Payton's Place (1998) -, Nicholas Payton - Sun Goddess trumpet solo, from Nick@Night (2000) -, Nicholas Payton - You Stepped Out Of A Dream trumpet solo, from From This Moment (1994) -, Michael Blake - Calypso Minor full arrangement and tenor sax solo, from Elevated (2000) -, John Coltrane - Blue In Green tenor sax solo, from Kind Of Blue (1959)  -, John Coltrane - Trane's Slo Blues tenor sax solo, from Lush Life (1958) -, Charlie Parker - Moose The Mooch alto sax solo, from The Complete Dial Sessions (2004) -, Chris Potter - The Source tenor sax solo, from Gratitude (2001) -, Joshua Redman - Fait tenor sax melody & solo, from Moodswing (1993) -, Gimme! This is a nice Dexter Gordon tenor sax transcription over Blue Bossa by Kenny Dorham. Nicholas Payton ‘Creating Culture’ By Marquis Hill with Phillip Lutz Trumpeter Marquis Hill interviews one of his key influences: Payton. This is a nice Dexter Gordon tenor sax transcription over Blue Bossa by Kenny Dorham. Download the Transcription: Bb, Eb, C, Bass Clef. Gimme! Alterations So there. Log in to Reply Song's chords E, C, Am, Dm, G, A, ... You are notifying to Yalp's team this transcription has a lot of wrong chords. This is not to minimize what the greats in the music did before him, but to build on it. Grammy Award-winning Nicholas Payton is a multi-instrumentalist, vocalist, composer, producer, arranger, essayist, and social … I'm actively adding more transcriptions from my archive of literally thousands of songs; if you don't see what you're looking for, chances are I already have it but haven't posted it here yet. New Orleans-born trumpeter, keyboardist, singer, and composer Nicholas Payton is a dynamic performer, steeped in acoustic jazz and post-bop, whose music often finds him exploring genres beyond the confines of the jazz tradition.. Born in New Orleans in 1974, Payton grew up the son of Walter Payton, a well-known bassist on the … There are a lot of ii V7 I licks to grab from this transcription that sound so natural. Super cool that he checked it out, we’re grateful that he’s cool with us posting his work. A Grammy Award winner, he is from New Orleans, Louisiana. [amazon asin=B00123KEOQ&template=iframe image] Download the transcription: Concert, Bb, Eb, Bass Clef [audio: High Clip] Ahh, BeBop. Daahoud is a tough tune to solo over as well. He is also a prolific and provocative writer who comments on a multitude of subjects, including music, race, politics, and life in America. Share to Twitter Share to Facebook Share to Pinterest. Just posted an updated version of the PDF to correct a mistake in the transcription (had two notes reversed in mm 25, 27 and 193, 195). ... Johnny Smith - What's New Transcription; Simple theme. Minor changes going into a nice ii V7 I. The groove is this really great double time feel that is real open in the drums and piano. Clifford nails every chord change as usual. For local jazz legend Nicholas Payton, the instrument represents the essence of the Crescent City. Needless to say, I hope you enjoy studying the solo as much as I enjoyed learning it myself. I analyzed the solo in the trumpet key (Bb), because that’s what I transcribed with and practice the solo in. GT are often used as foundation, or jumping off points for the soloist to go in to more uncharted territory. ANT = Anticipation Also, if there's something that you'd like to have transcribed but don't see here, please contact me. This jazz trumpet solo is so good it’s debatable whether or not Clifford Brown didn’t plan … He says jazz, as we know it, is dead. Drummer George Coleman Jr. also chimed in with some great info. Nicholas Payton - The Backward Step Lead Sheet From Into The Blue (2008) The Backward Step Lead Sheet Bb Lead Sheet. That means the F natural on the and of 3 is an F#. I really like how it sounded. This site is simply an extension of that. Transcribing, and learning tunes and solos by ear has been how this art was learned since the beginning. He brings several motives back during his solo, pulled from the beginning. There’s some deep insight that I wanted to share. Download the Transcription: Bb, Eb, C, Bass Clef. First, Nicholas Payton checked the transcription out and let us know that he actually arpeggiates an E minor 7th chord (concert) on the second to last bar of the solo. He plays a couple of Bbs, making you think he’ll resolve to the A. Nicholas Payton on Elvin and Comping: Posted by Alex at 12:38 AM. Second, it seems as though my poor choice of words (i.e. Payton has gotten quite a bit of hate from friends, colleagues, and followers for his recent rants on jazz, some of them calling him the Charlie Sheen of Jazz. I meant that he has been talking about the state (or non-state) of jazz in a passionate manner. The first thing I noticed when I took some time to dig in was that they play with a double time feel, so it sounds like the chord changes go by at half speed. Post was not sent - check your email addresses! It reminds me of what we used to call the “Summerville” sound back in Boston in the late 80s and early 90s. Download the latest version here. After reading his posts, I feel like I am beginning to “get it,” though I am not sure I could ever really “get it,” since so much of his point of view comes from a Black American perspective, something I could never fully understand. Nicholas Payton (born September 26, 1973) is an American trumpet player and multi-instrumentalist. A couple of flubs in there, but I'll let them stand - the fingering on this one can be a bit tricky. In mm 51 Payton plays the #9, b9, b5, natural 9, all in the same measure. Drummer George Coleman Jr. also chimed in with some great info. There are some nice jazz licks that can be copied here. Trumpet giant Louis Armstrong recorded his tongue-in-cheek slow version in 1927. We'll review to fix it. His dominant chords are almost always altered to hell. 1-4 he repeats the rhythm while stepping down chromatically each repetition. This Jazz trumpet solo of Nicholas Payton starts off nicely on the head with just guitar and trumpet. All that being said, I am, and many others are still trying to understand (some have just written it off) what Nicholas is saying about this music we all love and have spent our whole lives studying. Download the latest version, Nicholas Payton, You Stepped Out of a Dream, Elena Pinderhughes’ Solo on Letter to the Free – From Common Tiny Desk at the White House, Guest Post by Spencer Ritchie: Lewis Nash, Monk’s Dream, Guest Post By Ben DeVries: Roy Hargrove, I’m not so sure, Guest Post by Italo Sales: Wes Montgomery, Four on Six, Joshua Redman, Straight, No Chaser (pt 1). Payton’s solo fits so gently in to the groove, he’s simply an extension of the rhythm section. Email This BlogThis! There’s some deep insight that I wanted to share. He often comments on the state of “jazz.” He claims he does not play “Jazz,” but he plays Black American Music. I have always looked up to Payton, since getting in to this music. Nicholas Payton - EYE OF THE HURRICANE (Bb) from "Fingerpaintings" Freddie Hubbard - YOU'RE MY EVERYTHING (concert) from "Hub-Tones" Freddie Hubbard - YOU'RE MY EVERYTHING (Bb) from "Hub-Tones" Herbie Hancock - YOU'RE MY EVERYTHING from "Hub-Tones" Coleman Hawkins - BODY AND SOUL from "Body … (A Man After Midnight), Everything's Alright (reprise)-I Don't Know How to Love Him, Stu Cook (w/ Creedence Clearwater Revival) -, Tony Levin (w/ Kate Bush & Peter Gabriel) -, Joe Osborn (w/ The Mamas and the Papas) -. For instance, in a ii V7 I in Cmaj, if the sololist moves from the seventh in G7 (F) to the third in CMA7 (E), that is guide tone movement. Blue Bossa is a really fun jazz standard to improvise over. My transcription of Nicholas Payton's gorgeous solo on "You Stepped Out Of A Dream" from his 1995 album "From This Moment". Needless to say, he’s certainly opened the conversation, and it’s one we should all be having anyway. Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Guest Post by John Raymond: Miles Davis, Walkin’ (4 Versions), Transcription Applications and Techniques. Listen to Whoopin' Blues by Nicholas Payton, 891 Shazams, featuring on Nicholas Payton Essentials, and Nicholas Payton: Next Steps Apple Music playlists. An example of a Chromatic Approach Tone is when the soloist surrounds the resolution note with half steps. Should be B natural then C on the and of 3 and on beat 3. Long before Louis Armstrong came along, the trumpet and New Orleans were intertwined. One of my favorite moments is the last 8 bars or so of this solo. Nicholas Payton recently posted his thoughts about comping on the drums over on his Instagram account. This interpretation is what Jim Cullum and New Orleans jazzman Nicholas Payton have in mind in their performance of this venerable rag, first copyrighted in 1911. There are a lot of ii V7 I licks to grab from this transcription that sound so natural. Gimme! It just feels so good! Soloists often use Guide Tones as target notes or launch points.They’re all over on the strong beats in Payton’s solo. This was one of my favorite albums in my middle and high-school years, and this track was a special treat; to hear three of my trumpet idles play back to back was inspiring. Anyways, I guess this site is somewhat of a “old ways meet the new” type thing. There are so many great figures for analysis in this solo. Nicholas Payton uses a lot of skips with fourth patterns that sound like he is taking his trumpet solo outside. FNMUSICWEB's own Trumpeter Farnell Newton on a weekly series of performing transcriptions live! That is probably why I like this Nicholas Payton trumpet solo. When the soloist plays notes outside of a chord in anticipation of the next chord. When the Saints Come Marching In is the 2nd song on For instance, if the soloist plays Ab-F# over a G7 and resolves to G over the CMA7, that is CAT. Modes GT = Guide Tone “Rant” does not accurately portray Payton’s recent blog posts on his website found here: http://nicholaspayton.wordpress.com/. When The Saints Go Marching In chords by Nicholas Payton. (photo credit: Claus Willemer) Joy Spring, written by Clifford Brown and performed by Tom Harrell. Mostly what sticks out to me is his sense of feel and time. “12th Street Rag“ was a famous Tin Pan Alley hit well before 1920.  Amongst all of the recent gigs Nicholas is playing, he’s also been active on both Twitter and Facebook. That means the F natural on the and of 3 is an F#. Blue Bossa is a really fun jazz standard to improvise over. Of course, Nicholas is at another level, but I’d like to think I’m on my way. Last month, trumpeter and composer Nicholas Payton had the U.S. premiere of his Black American Symphony with the Colorado Springs Philharmonic. Will I ever be able to play you? I don’t think he would disagree that he’s very passionate about the subject, and has had to account for his words amongst many of his colleagues. Dean Town Bass Transcription… This month I have for you the Dean Town Bass Transcription.This is an interpretation of Joe Dart’s bass line for the much-loved single. In mm. Link FNMUSICWEB's own Trumpeter Farnell Newton on a weekly series of performing transcriptions live! I will sometimes circle alterations if I like how they are used over a particular chord or passage. Many of these transcriptions are ones that I've done for myself as part of my own study; others are transcriptions that my clients have generously given me permission to publish here. Blue Bossa is a really fun jazz standard to improvise over. Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Still, we come from the same lineage, Nicholas and I. We’ve studied the same players, and sometimes, play the same music, whatever you’d like to call it, or not call it. Naturally, it frustrates him when some kid (me) writes about his passion and clouds the message with poor vocabulary. Nicholas Payton on Elvin and Comping: “Here’s the thing: The “Elvin thing” most drummers … Rant, by definition, means to “speak or write in an angry or violent manner.” That’s not fair to Nicholas, and it is not what I was trying to say. I got this disc when I was a freshman in college. (over an A7 chord, that is C# and G). He manipulates the time and feel as good as anyone, and knows just when to utilize the soulful side to his playing. From [amazon asin=B000001E4R&text=Brownie: Homage to Clifford Brown&chan=default], releas… The groove is what first got me. There are a couple of sequencial moments that are worth noting, both in mm 11 and 12, and mm 15-18. Nicholas Payton - A Touch Of Silver trumpet solo, from Payton's Place (1998) - Bb Instruments; Nicholas Payton - Sun Goddess trumpet solo, from Nick@Night (2000) - Bb Instruments; Nicholas Payton - You Stepped Out Of A Dream trumpet solo, from From This Moment (1994) - C Instruments In a wide-ranging conversation, the elder trumpeter discusses the music industry, and incorporating his own vocals and keyboard work into concerts and recordings. First, Nicholas Payton checked the transcription out and let us know that he actually arpeggiates an E minor 7th chord (concert) on the second to last bar of the solo. There are concert, bass clef, and Eb parts in PDF available above. The music he makes is always inspiring to me, and I’ll take in to consideration what he has to say about the state of jazz since, you know…he is the state of jazz. Dexter also uses a lot of pentatonic licks and keeps the solo … Press Nicholas Payton Biography – 2020 Nicholas Payton Press Photo 1 Nicholas Payton Press Photo 2 Nicholas Payton Press Photo 3 Nicholas Payton Press Photo 4. Today’s post is a short and sweet Ben Webster solo over Duke Ellington’s rhythm changes tune “Cottontail.” Ben uses a fair amount of repetition to develop his ideas through the solo. Nicholas Payton, Roy Hargrove, and Wynton Marsalis’ solos on “The Three Trumpeteers” off of Payton’s 1998 album Payton’s Place". If you see anything that needs to be fixed, please let me know. Sorry, your blog cannot share posts by email. GTM = Guide Tone Movement Nicholas Payton. We appreciate your help. Dexter also […] Read the rest of this entry… He gets close a couple of times, develops for about 6 bars, and then finally does resolve down the the A, the 5th of the one chord. Guide tones are thirds and sevenths in every chord. 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