Before the tritone became a common tool in rock, listeners expected artists to play chords and patterns that were pleasing to the ear. The Set Up And Maintenance Course Is Now Available As An Individual 90 Minute Session. Each time we play the tritone interval, we approach it from a fret below to create tension (and release). If you’re making something heavy or jazzy, then the tritone is your friend. The last two bars are a standard bass run to the V chord and back. You will see that we can make two possible chords out of this. Review of Secondary Dominants. We offer one-hour Group Guitar Lessons once a week on Mondays, Wednesdays, and Thursdays. The fifth chord consists of the root (1) and perfect fifth (5), while the tritone is built from the root (1) and diminished fifth (b5) A “substitute dominant” or “tritone substitution” is a special type of chord whose function is closely related to that of the secondary dominant. When a tone that wasn’t mellifluous – such as the triad – was inserted into a musical passage, it was unsettling since it didn’t conform to the listeners’ expectations. Both possibilities are diagrammed below, with the two notes from our resolution colored in yellow. How To Use A Tritone For Effect In Blues and Jazz turnarounds, it's common practice to use harmonic substitutions for any of the chords. I am going to show you how to play 'The Devil's Chord' and I will explain what it is and how it got it's name. Let’s look at the resolution to the Tritone in the last example, which you will recall is comprised of the notes G and B. These chords are interchangeable because the tritone interval pitches are identical in each. In another lesson, we talked about secondary dominant chords. Video Cliffs: 0:00 – Intro 0:34 – Part 1: Two Easy ways to Find the Tritone Sub for any Key 2:45 – Using the Circle of Fifths to Find the Tritone Sub for any Key 5:12 – Part 2: The “Theory” Behind Tritone Subs 7:55 – What is a “Tritone Interval” 9:53 – The “Tritone Interval” as Found in Dominant 7th Chords. Notice, for example, the notes that make up the G7 chord: G, … Go To The Online Classes Tab For More Details! So before we dive into substitute dominants, let’s review secondary dominants. Every dominant chord contains a tritone, after all the tritone is responsible for the sensation of “tension” of the dominant function. Let’s look at some V7 chords (fifth degree with minor seventh) for you to check it out. This can include chords that build on the general base of the dominant seventh, but can also take more extreme approaches that combine many tritones, or use tritones to create even more crunch intervals, like minor seconds. 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